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Production hopes to highlight date rape issue

NANAIMO — The Haven Society is fundraising to bring a production to Nanaimo about a woman drugged with the date rape drug GHB.

NANAIMO — The Haven Society is fundraising to bring a production to Nanaimo about a woman drugged with the date rape drug GHB.
Dissolve made its local debut at last year’s Fringetastic Festival and women’s service provider Haven has said its message is more relevant than ever.

In October and November of last year, at least six women reported to police that their drinks were spiked while out at Nanaimo nightclubs.

“Haven Society, particularly our community-based victim services program, has been seeing many, many survivors of this vastly under-reported crime over the years,” said Tracy Myers, co-ordinator of programs for children and youth at Haven Society. “I saw the play when it played here for the fringe fest last summer. I knew, after I saw it, that I had to somehow bring the play back to town.”

The story centres around a university student out at a club with friends who is sexually assaulted after her is drink spiked with GHB.

The story has unfortunately only become more relevant in the 10 years since it was written, said Dissolve director Renée Iaci.

“[Playwright Meghan Gardiner] toured the play for 10 years, and unfortunately it’s only growing in popularity. Which, she says, ‘put me out of business, I’d love that.’ But it’s not (happening),” said Iaci.

The piece is largely as Gardiner originally wrote it, but had a few rewrites last year to include the developing role of social media in rape cases.

“That’s made things even more frightening, when you’ve got your phone to take pictures. Because of that it’s almost like we’ve become more immune,” said Iaci.

“It speaks to the bystanders, all the people who could have actually stepped in to do something and they didn’t. And why didn’t they? “There’s two girls at the bar and they’re taking pictures of the girl who’s so drunk. Why didn’t they get her in a cab and get her home?”

Much of the play’s theme centres the role of being an “’upstander’ and not a bystander,” added Gordon.